Alex Greenberger sampled one of the best ones, which ranged from an Australian Pavilion by Marco Fusinato filled with booming sound and a Latvian Pavilion by Skuja Braden that contained numerous quirky pieces of pottery. Sonia Boyce’s British Pavilion (#4) ended up profitable the Golden Lion, and Zineb Sedira’s French Pavilion (#1) received a particular point out from the Biennale’s jury. One of the year’s most surprising controversies involved the previous Louvre head Jean-Luc Martinez, who was charged with “complicity of gang fraud and laundering” in reference to a sprawling antiquities trafficking investigation. The mystery surrounding Martinez deepened when Devorah Lauter revealed that he may have ignored a warning from Marc Gabolde, a prominent Egyptologist, concerning the murky provenance of 1 object he acquired.

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During the late 19th and early twentieth centuries, Köllwitz crafted work, drawings, and prints that responded to a war-torn, chaotic Germany, usually directing her attention specifically to plight of women and workers. Crucially, she labored in a figurative mode, even as others around her turned to abstraction, and for that reason, these items are just as piercing now as they had been then. Many of them haven’t been seen incessantly in New York, making this retrospective an necessary one for audiences in the city.

Tags: modern